ArticlesBlog

Red Hot Chili Peppers Carpool Karaoke

Red Hot Chili Peppers Carpool Karaoke


THIS TRAFFIC IS TERRIBLE, THANK
YOU SO MUCH FORE GET TO>>
>>James: I REALLY APPRECIATE YOU. YOU KNOW, THE BACKWAYS. JUST MAKE A LEFT UP HERE ANDASS.>>I THINK IT RIGHT. REALLY? ON, CATCH IT STRAIGHT
AHEAD.>>GO STRA
>>THREE RIGHTS IN A ROW.>>James: I’M
REGRETTING ASKING YOU, ALREADY REGRETTING ASKU. DO YOU MIND IF WE LISC. SHALL I SEE WHAT IS HERE. CAN’T STOP THE
SHINDIG. COAYS I’M GONNA WIN
GIG. THIS FEELING THAT YOU PAY
♪ IT’S HG U PAY FOR. IS LIVING ONWEST END. ♪ KNOCK OUT BUT BETTER
♪ DON’T DIE YOU KOW THE TRUTH IS SOME DO. ♪ IT IS MORE THANDINARY. ME BACK. CAN’T STOP THE SPIRITS
THEY NEED YOU. ♪ THIS IS LIFE IS MOR JUST
A R THRU. ♪ GLORIOUS FOOD, HOT SAUSA
MUSTARD. ♪ WHY I’M INHE MOOD. ♪ FOR CHERRY AND KUS TARD. ♪DIGESTION. ♪ I NEHOUGHT THAT WE
WOULD FINISH A RED HOT PEPPER SONG AND GO STRAIGHT INTO
THE MUSICAL OL>>YOU ARE LUCKY.>>Reggie: IS THAT.>>YOU DON’T WANTO KNOW.>>James: BUT DO I
>>YOU SAY THAT THEN WILL YOU KNOW AND ARE YOU LIKE,
I SHOULD HAVE LISTENED.>>WE WERE 15 YEARS OLD SLEEP ON
A ROCK OUT IN THE WOODS. SMOKING LARGE QUANTITIES OF
MARIJUANA. I CAN SEE THE SIERRA NEVADA
GE AND HIMY NIMY.>>James: A TASTE OF SOUND. ♪ SCHDA THAT. ♪ WHOOP. ♪ CORDEL SCHNEW
♪ HEADY LOADY BOBIN BOO. ♪ WHOOP.>>Jam WAS
JU MARIJUANA? WHAT I GOT TO I GIVE TO GIVE IT
♪.>>
>>James: WAIT WA, HAVE YOU GOT THAT ARE
YOU GOING TO GIVE TO MY MUM.>>LOVE AND AFFECTION. YOU GOT THAT ARE YOU GIVE TOAD.>>A STERN TALKING TO, IF YOU
WILL. WHAT I’VE GOT YOU’VE GOT TO GIVE
IT TO YOUR DAUGHTER.>>James: WHAT ARE YOU DOING
WITH MY DAUGHTER?>>NOW THAT IS NOT FOR LATE
NIGHT TV, THAT IS LATE LATE.>>James: THAT IS US. WE ARE LATE LATE.>>ARE LATE. WITH YOUR DAUGHTER, WE READ BED
TIMETORIES. YOU GOT TO GET IT PUT IT YOU. GOT YOU’VE GOT TO GET
IT PUT IT IN YOU. ♪ GIVE IT AWAY, GIVE IT AWAY,
GIVE IT AWAY NOW. ♪ GIVE IT AWAY, GIVE IT AWAY,
♪ I CAN’T TELL IF I’M KINGPIN OR PAUPER
♪ WH YOU WERE WITH THE SCHOOL A
COUPLE OF BLOCKS HERE.>>YES.>>James: WHAT WAS YOUR FIRST
IMPRESSIONS OF EACH OTHER AT SCHOOL.>>RIGHT.>>MAJOR– DU CK. PIE ONE AND ONLY FRIEND, HE
ROLLS UP AND STARTS ROUGHING HIM UP.H, HANDS OFF.>>James: YOU HAVE NEVER BEEN
IN A FIGHT.>>NEVER, NOT– A COUPLE OF
LITTLE KID SCRAPS.>>WE USED TO WRESTLE.>>James: DID YOU, I LOVE A
GOOD MAN WRESTLE.>>DO YOU, BE HONEST.>>James: A GRAPPLE.>>NO EM BOWS, NO KNEES.>>James: NEVER LIKE– NO
PUNCHES, NO, LIKE A HOLDDOWN.>>RIGHT THERE. I WILL WRESTLE YOU ANY TIME YOU
WANT AND I WILL DESTROY YOU.>>I WANT TO WRESTLE. PULLING OVER. WRESTLE ON THIS LAWN RIGHT
OKAY.>>I DANT ANYONE TO– .>>James: I DON’T KNOW WHOSE
HOUSE THIS IS, I AM SLIGHTLY WORRIED I AM GOING TO OFFEND
THEM.>>WE’RE GOING TO DO A LITTLE
MAN WRESTLING.>>James: WELL DONE. I AM GOING TO LOSE MY PHONE.>>ARE YOU STARTING DOWN.>>NO POSITION.>>GREKO ROMAN, UP.>>James: NO POSITION, JUST
STRAIGHT UP. WHOSE DON’T KNOW WHOSE HOUSE
THIS IS.>>YOU ARE GOING TO WANT STAY
LOW.>>DON’T WORRY ABOUT IT.>>James: WHAT WAS THAT.>>GO LOW, GO LOW.>>GO LOW! (APPLAUSE).>>James: I SUBMIT, I SUBMIT,
YOU DESTROYED ME.>>THAT WAS QUICK.>>James: YOU MADE ME REALIZE
WHAT LEVEL I WAS AT THAT. OH MY GOSH. I DIDN’T SEE THAT COMING,
KIEDIS.>>NEW SHOW, FRONT LINE
WRESTLING. IT IS DIFFICULT TO WRESTLE WHEN YOU ARE LAUGHING
THAT MUCH. ♪ FOROUR WAIVING. ♪
♪ DREAM OF CALIFORNICATION. ♪ DREAM OF CALIFORNICATION. ♪
>>James: NOW SEEING YOU ALL, WHAT I CONSIDERED TO BE MAYBE
THE MOST COMMITTED-BASE PLAYER OF ALL TIME.>>YOU WOULD THINK.>>James: I MEAN IT, BECAUSE
YOU ARE IN IT. LIKE WHEN YOU ARE PLAYING, I
DON’T KNOW WHERE YOU END AND THE-BASE GUITAR– THE BASS
GUITAR BEGINS.>>I REMEMBER READING A BOOK
ABOUT BOB MARLEY WHEN I WAS A TEENAGER AND HE TALKS SO MUCH
ABOUT THE ONLY THING THAT REALLY MATTERED WHEN YOU WERE PLAYING
MUSIC WAS THE MOTIVATION AND THE INTENSITY AND COMMITMENT TO WHAT
YOU WERE DOING IN THE MOMENT. THAT COMMITMENT IN THE MOMENT,
THAT REALLY STRUCK HOME TO ME. AND I FIND MY GREATEST PURPOSE
IN LIFE WHEN I’M COMPLETELY LOST IN THE MUSIC.>>WE ALL DO.>>James: IF I WAS A BASS
PLAYER, I WOULD GO STRAIGHT UP SLAP.>>YOU WOULD. WOULDKE
WHEREVER MY HAND IS, I WOULD BE RIGHT UP HERE. ♪ MANY MOONS THAT ARE DEEPT
LAY SO.T IT HAS TO SAY. ♪ YOU AND I BOTH KNOW. ♪ EVERYTHING MUST GO AWAY. ♪ DON’T KNOW MY MIND. ♪ YOU DON’T K KIND. ♪ DARK NECESSITIES ARE PART OF
MY DESIGN. HE WORLD THAT I’M. FROM THE SKY. NECESSITIES ARE PARTF
SIGN. J WHAT DO YOUHINK SLT MOST ROCK ‘N’ ROLL THING YOU HAVE
PART OF OR SEEN ON TH ROAD?>>WE PLAYED A FESTIVAL IN
EARS AGO. IN THE CROWD I SAW TWO GUYS HAVING WITH THEIR
PROSTHETIC LEGS. (LAUTER)
>>ONE HAD A SHOE ON. DIDN’T.>>THAT IS ROCK.>>IT WAS VERY DUTCH ROCK. ♪ SOMETIMES I LIKE I DON’T
PARTNE ♪ SOMETIMES I FEEL LIK MY ONLY
FRIEND. ♪ IS THE CITY I LOVE
♪ THE CITY OF ANGELS. ♪ LONELY AS I AM. ♪ CRY. I DON’T EVER WANT TO
♪ LIKE I THAT DAY. AKE ME TO THE PLAC. ♪ TAKE ME ALL THE WAY. ♪ I DO FEEL
HAT DAY.AKE ME TO THE PLACE IVE. ♪ TAKELL THE WAY. ♪
>>Jam DIDN’T RECOGNIZE YOU UP
BECAUSE ON, ARE YOU A BAND OF TOPS OFF.>>AL. IT SEEMS NATURAL. UNNATURAL NOW WITH A
>>A BIT ENCUMBERED. VE, HE HAS AT LEAST THREE LAYERS
ON.>>J OUR
CLOTHES.>>I THAT ONE
DAY I’ HAVEHE SOCK TONIGHT.>>YOU KNOW WHAT– . THE SHOES AND SOCKS.T
>>I FEEL LIKE THERE WAS A CREW THERRE, SOME KIND OF
A BIT OF A CU: ARE YOU NOT GOING FULL NAKED.>>NO, I WOULDN’T.>>James: HANG ON WHAT AREE
DOING.>>NOT
>>ALL GIVE MEAT MICROPHONE. FLEE,S.>>I’MOING BACK.>>James: NO,’RE NOT. IN A WD AWAY. ♪ PICK IT UP NOT TOO STRO
YOU. ♪ TAKE A PIECE A IT ON. ♪ FLY ON MY
ORE THAN EVER.S PERFECT WEATHER. ♪ WE’LL FIND A PLACE TOGETHER. ON THED CAN PASS ME BY. ♪ AWAY ON MY ZEPHYR. ♪ WE’LL TO LIVE
FOREVER. (CHEERS AND APPLAUSE)
D THAT ONE. James: YOU KNOW WHAT TOP OFF JUST MADE MEREAT.>>James: YOU KNOW WHAT I
MEAN. IN THEY OWN WITH A TOP OFF I LOO
WEIRD. T THE THREE OF TOPS OFF IT FEELS
COMPLETELY NORMAL. AM I WRONG.>>James: IS IT TRUE THAT
USED TO BABYSIT>>SHE DID. NOT ON A REGULARD WERE YOU AND
WAS SHE WHEN SHE WAS BABYSITTING.>>SO I WA TO RECALL 12 YEA
OLD.>>James: RIGHT. E YOU 12 YOU DON’T OLD ADULTS AR
>>James: SURE.>>BUT SHE WAS FIT AND
AND I KNEW THAT. AND UST KIND OF HIT
HORM JUST TOUCHING IT. I WASN’T ALL INTO
BUT.>>James: YOU DISCO
>>SOMETHING I FELT– .>>James: YOU MADE FRI
WITH IT. WE HUNG OUT. I SLEPT HER BED. I WATCHED HER THROUGH
THE CRACK OF THE BATHR G READY FOR BED. I WAS LIKE IN MYAMIES, GETTING
READY TO SOME ZST.>>James:
>>AND SHE LIKE AS HAPPENIes: SO YOU HAVE SPOKEN
>>I DID. I ASKED HER AND LIKE WHAT
ARE YOU BEING.>>James: REALLY, SHE
ACKED IT OU THINK SHE BLACKED IT OUT. VE BEEN.URN BACK TIME.E THE SHOW
TONI ♪ AND THERE’S A LI ON, HEAVYOW. ♪ BY THE WAY I TRI TO SAY. DANI
TH IS. ♪ SINGING ME. ♪ BENEATH THE MARQUEE. ♪ OVER
♪ ♪ AND THERE’S A LIGHT DANI GIRL. ♪ I TRY SAY I
YOU. ♪ STANDING TO SEE THE
SHOW TONIGHT. ♪ AND THERE’S A ON. GLOW. ♪ TRIED TO
♪ I’D BE THERE WAITING FOR. . YOU, LADIES AND GENTLEMEN, PEACE
>>James: I ALWAYS KNEW THAT OF MY LIFE TO B
IT WASN’T UP FOR DEBATE THAT CTED IT TO BE AS AS IT HAS BEEN. NT YOURT I DON’T THINK THEY EVER
THE RED HOT CHILI PEPPERS. THANK YOI LOVED IT SO VERY.

Comments (100)

  1. i think flea became a bass

  2. 7:16 Gordon looks so lost ๐Ÿ˜‚

  3. God I fucking love the Chili Peppers. Happy memories! Great car pool!

  4. Best video ever thank you so much!!

  5. Best car pool EVER!!!!

  6. ะตัะปะธ ะฑั‹ ั ะฝะต ะทะฝะฐะป ะบั‚ะพ ัั‚ะพ, ะฟะพะดัƒะผะฐะป ะฑั‹ ั‡ั‚ะพ ัั‚ะพ ะบะฐะบะธะต ั‚ะพ ะฝะฐั€ะบะพะผะฐะฝั‹ ะตะดัƒั‚ ะฝะฐ ั‚ะตั€ะฐะฟะธัŽ
    ะฟะฟั† ะฟั€ะพัั‚ะพ
    ะฝะต ะฒ ะบะพะตะผ ัะปัƒั‡ะฐะต ะฝะต ัะฟะพั€ัŽ ะพ ั‚ะพะผ ั‡ั‚ะพ ะพะฝะธ ะฒะตะปะธะบะธะต ะผัƒะทั‹ะบะฐะฝั‚ั‹, ะพั‡ะตะฝัŒ ะปัŽะฑะปัŽ ะธั… ั‚ะฒะพั€ั‡ะตัั‚ะฒะพ

  7. Flea has the worst teeth of any multi millionaire I've ever know. And I know none.

  8. How the heck did Will Ferrell get in the backseat?!

  9. Wait what?
    This is the late late show, and they block the head part of dickhead? What?

  10. I keep on watching this over and over again…love it!

  11. James Corden is a twat.

  12. AWESOME!!!!!!!!!!!!!!!!

  13. Flea: whatโ€™s wrong McFly? Chicken?
    Marty McFly: Nobody calls me…hey James Cordon is wrestling on my lawn!

  14. I love flea and all. But I swear he's an alien.

  15. Yo whats Will Ferrell doing in that back of that car?

  16. This was one of the BEST things Iโ€™ve stumbled across in a very long time… SO GOOD. Love a good sing along, I know no one could sit still through this, and not bust out singing!!! R.H.C.P. You rock!! You too James your enthusiasm was contagious, the BEST Carpool Karaoke ever!

  17. Anthony continues to age like fine wine

  18. why is will ferrell in the back

  19. Musicians are the most wonderful people love the Chilly Peppers love James for getting real joy and fun out of them great energy this is so heart warming <3

  20. It was 2007 when I first heard Dani California on jack tv. Took me 9years before I finally found the song coz I only remembered RedHotChilliPeppers

  21. I would love to see guns n roses,even though slash wont sing and axl night not show up..but i love rhcp they r so fun!!

  22. Omggg that's f*ckng amazing!!!! ๐Ÿ‘๐Ÿผ๐Ÿ‘๐Ÿผ๐Ÿ‘๐Ÿผ๐Ÿ‘๐Ÿผ๐Ÿ‘๐Ÿผ๐Ÿ‘๐Ÿผ

  23. QUE CLASE DE ESCORPIร“N DORADO AL VOLANTE ES ESTE!!!!???

  24. i wish flea had his bass on him the car would get even more f u n k y

  25. James โ€œ I love a good man wrestle โ€œ ๐Ÿคฃ๐Ÿ˜‚

  26. among the top people that never age: anthony

  27. Red Hot Chili Peppers Carpool Karaoke made me subscribe right now today in SF sitting on the throne! ๐Ÿ™‹โ€โ™€๏ธ๐Ÿ‘๐Ÿ’ž

  28. "Mom? I think the Red Hot Chili Peppers are are wrestling in the front yard"

  29. Legend, cool, ัะฟะฐัะธะฑะพ ะธะท ะšะฐะทะฐั…ัั‚ะฐะฝะฐ!

  30. James, Anthony, Chad, Josh: sings along to the songs like normal people
    Flea: B A S S

  31. Imagine sitting at home then look out the window and you see the Chili peppers and James on your lawn.

  32. ๅ…จๅ“กใ“ใ‚“ใชใ‹ใฃใ“ใ„ใ„ใŠใ˜ใ•ใ‚“ใŸใกใฐใฃใ‹ใ‚Šใ ใฃใŸใ‚‰ใƒ€ใƒก๏ผŸ

  33. Anyone ever watched the subtitles for this. Wow. Someone is on acid

  34. Sexual Harassment: Music

    Sexual Harassment: Music — Our report on the state of the music industry

    By Melissa Rawlins December 06, 1991 at 05:00 AM EST

    Thereโ€™s a word for it in the music-video business, where male fantasies of young, compliant women are the very heart of commerce. โ€That sexy-babe, bimbo kind of stuff that the labels always want,โ€ says a woman whoโ€™s made rock videos for years, โ€my friends and I in the industry refer to it as โ€˜babeage.โ€™ Itโ€™s part of just an overwhelming predeliction for sleazy male behavior in this business.โ€

    Babeage. What would rock & roll be without it? Just peek into the fantasy world of music videos. What you see isnโ€™t real, but real people produce those videos, and the often graphic, violent sexuality they contain. So itโ€™s no surprise that babeage is a buzzword. Insiders say that in the world of pop and rock-an insular world ruled by six major recording conglomerates, in which only one woman (Sylvia Rhone, chairman of Atco/East West) is at the top-sexual harassment is not just rampant but epidemic, more pervasive than in any other branch of entertainment.

    Ugly stories come not just from the lowly but from people at all levels of the business. Thereโ€™s Mary Cary, guitarist for Rosary, a female hard-rock band, describing a pawing studio owner who demanded sex in exchange for recording time. โ€He told us that if we slept with him, he would get us a label deal, and he was just a sleazy little studio guy with no power.โ€ And the notoriously raunchy band the Red Hot Chili Peppers, reversing the roles in an interview for Creem with journalist Nina Malkin, bombarded her with lewd questions about her sex life. (โ€They were just goofing,โ€ their manager says.) At a radio industry convention last year, top radio consultant Randy Michaels hired a stripper, disguised as a waitress, to have her shirt ripped off during a panel on contemporary hit radio. And an executive at a major label made assignments to employees while playing pornographic tapes on his VCR โ€” โ€He did it just to humiliate us,โ€ one woman said.

    โ€The industry promotes the bimbo image very well,โ€ says an ex-label executive, who left the business because of what she characterized as its unacceptably sexist environment. โ€The man in music spends his day promoting bimbos on album covers, and the women in the office are viewed as just more of those bimbos. Not all men see it this way, obviously. But the violence is there. In this business, people are reduced to things, and itโ€™s awful.โ€

    Thatโ€™s an attitude that often starts near the very top โ€” in the offices, say, of an Abbey Konowitch, 40, who in the mid-โ€™80s was vice president for video and artist development for Arista Records. In July 1987, Arista promoted a woman named Joanne Smat into Konowitchโ€™s department, as national manager of artist development. Although several women alleged to Entertainment Weekly reporters that Konowitch verbally abused female coworkers, Smat is the only one willing to go on the record with charges. Because she has since married and left the music business to become an advertising executive, she no longer feels her career is threatened. Other sources, male and female, have confirmed Smatโ€™s story but stressed that if Konowitch found out their names, their careers would be ruined.

    โ€After a very short time it became apparent that there was a certain way Abbey operated, and that I was not going to be able to handle it,โ€ says Smat. His method of operation, she says, included repeatedly asking such questions as โ€Can I bite you?โ€ โ€Can I touch your thigh?โ€ โ€Can I bite your ass?โ€ According to Smat, he predicted that she would sleep with him on a company trip to Maui. She decided to stay home. The day Konowitch began instructing an intern in โ€shooting rubber bands at my ass,โ€ Smat says, she was so fed up she walked out of the office.

    She says she asked a female executive for advice and was sent to a vice president. He said heโ€™d give her a transfer, effectively a demotion, to a secretarial position. In November 1987, she consulted lawyer Michael Holland.

    โ€He knew of other cases where women had been physically fondled and the lawyers werenโ€™t able to make (the charges) stick because of difficulties of proof,โ€ she says. โ€He basically said the law doesnโ€™t work and you donโ€™t have a choice.โ€ โ€I advised her that since she was considering other career options anyway, maybe she should just move on,โ€ confirms Holland. Smat resigned in January 1988.
    oihugfgh

  35. Konowitch declines to comment. His attorney denies Smatโ€™s allegations and claims Arista has no record of any formal complaints or discussions of Smatโ€™s charges. A woman who worked with Smat and Konowitch maintains, however, that there were several formal meetings between Smat and a top Arista manager. โ€One of the vice presidents,โ€ she says, โ€called up every woman who worked with Abbey and said, โ€˜Does he really do these kinds of things?โ€™ And all of us said yes. Their solution was to ask us if we wanted to transfer to other departments.โ€

    โ€On a day-to-day basis Abbey would say gross things,โ€ she says. โ€If you asked him for a vacation day, heโ€™d say, โ€˜Scratch my back and Iโ€™ll think about it.โ€™ And he was serious. There were two ways you could handle it. You could just laugh or ignore it or swear at him, or you could really let it get to you. Joanne didnโ€™t want to put up with it โ€” and she shouldnโ€™t have had to โ€” and she complained.โ€

    โ€Complaints were made by Joanne to me,โ€ says Roy Lott, executive vice president and general manager of Arista Records. โ€The situation was analyzed. I, and others, talked to various people. And we found no basis for taking any action against Abbey Konowitch.โ€

    Konowitchโ€™s career apparently has not been affected by any of the complaints. He is now senior vice president for music and talent at MTV, where he decides which bandsโ€™ videos get airtime. Last year he was selected as one of Entertainment Weeklyโ€˜s Power 101 (he was No. 25).

    Other men in music facing harassment charges have fared less well.

    Marko Babineau, 40, former general manager of the Geffen Recordsโ€™ DGC label, resigned unexpectedly in September โ€to be with his family.โ€ On Nov. 14 his former assistant, Penny Muck, 28, filed suit against him for sexual harassment, intentional infliction of emotional distress, and assault and battery. She charged, among other things, that Babineau touched her breasts and buttocks, ejaculated on a magazine he had placed in front of her, placed his erect penis in her ear, and ordered her to clean up his semen. Other women who worked for Babineau have told similar tales. His attorney has not returned this magazineโ€™s calls.

    Mike Bone, 42, former copresident of PolyGramโ€™s Mercury Records, lost his job Nov. 1, two days before allegations surfaced in the Los Angeles Timesabout his alleged misconduct in the office. In July 1990, while president of PolyGramโ€™s Island Records, he allegedly propositioned his then administrative assistant, Lori Harris, 28, at a company party, and when he was rebuffed made it clear that her job was in jeopardy. The next morning he fired her. โ€His attitude was โ€˜That was pleasure; this is business,โ€โ€™ says Harris, who filed a harassment suit against Bone and Island Records in July, charging violation of the New York State human rights laws. โ€I view him as kind of pathetic at this point,โ€ she says, noting that she was unemployed for six months and still has found only part-time work. โ€Whatโ€™s ridiculous is that no one stopped him. Island Records and PolyGram donโ€™t care what happened to me. They moved him from president of a company where he had been accused of harassing and firing his assistant to president of a new company (Mercury) where no one knew what heโ€™d done. He got to start over.โ€ Bone, who has denied Harrisโ€™ charges in the past, referred a reporter to his lawyer, who said Bone would not respond.

    Jeff Aldrich, 41, recently RCAโ€™s senior vice president of A&R, was let go in December 1990 as a result of multiple sexual harassment complaints. At a convention in Scottsdale, Ariz., Aldrich reportedly made passes at several female employees, throwing one of them onto a bed and physically molesting her. โ€Conventions are about teasing, sexual kind of stuff,โ€ says an employee, โ€but he was crossing the line. He was sticking his hand down blouses and up skirts. So anyway, we all get back from the convention Sunday and on Monday thereโ€™s a very weird vibe in the office. The woman had complained that she wanted him out of there, and they did an inquiry.โ€ Says an RCA executive, โ€When some double-digit number of women complained, we knew we had to fire him.โ€ Aldrich is now an executive in A&R at Giant Records. A remorseful Aldrich confirmed that he was โ€fired from RCA for an incident that happened at a convention that had something to do with sexual harassment.โ€ A spokesman for Aldrich said it is โ€important to know it was while he was inebriated,โ€ and he has since entered a drug and alcohol rehabilitation program.

    High-powered L.A. lawyer Abe Somer, 53, former head of the music department at the firm of Mitchell, Silberberg & Knupp, recently settled a harassment suit out of court. His former secretary, Phyllis Finkbeiner, complained that Somer instructed her to bring the office mail to his house, where he greeted her naked at the door. A former summer associate at the firm alleged similar treatment in an affidavit supporting the suit. At a poolside meeting at Somerโ€™s home, she said, he told her, โ€You seem a little uptight. If Mick Jagger and (producer) Richard Perry were sitting here, I donโ€™t know if theyโ€™d be comfortable with you. If they wanted you to kiss them or give them a hand job, you just do it.โ€ Managing partner Bill Cole says Somer no longer has an office at the firm but is retained on โ€of counselโ€ status. Somer is now part of the legal department at Rondor Music Publishing Co.Somerโ€™s attorney speculated that the allegations were โ€hearsay from disgruntled former employees.โ€

    These stories certainly imply that women are routinely abused in the music business. They also say that men can be fired if enough women bring charges against them, even though the charges are untested in any court or other formal proceeding. And now that several lawsuits have hit the headlines, it seems the music business has reached a point of no return. But will any changes in the acceptability of babeage translate into real power and freedom for women?

    โ€If we maintain our fearfulness and keep quiet about this,โ€ says a female former executive at a major label, โ€things are not going to change.โ€

    Sheโ€™s afraid to give her name.

    โ€” Additional reporting by Cheryl McCall, Joanna Powell, and Jean Rosenbluth
    jhkjhv

  36. This is why I love flea

  37. The best I've ever seen right now….. For carpool karaoke ๐Ÿ‘๐Ÿ‘

  38. Why does Flea look like Creed Bratton and Will Ferrell look like Chad Smith

  39. John looks kinda bored…

  40. throw a wig and a top hat on Chad, BOOM: Slash.

  41. Is it me or they look like drug dealers, or patients in drug rehab. They guy in purple is high on drugs

  42. RHCP are one of the living legendary.. ๐ŸŒŸ๐ŸŒŸ๐ŸŒŸ๐ŸŒŸ๐ŸŒŸ

  43. Drugs are hell of a drug.

  44. So heartbreaking to see the remaining rhcp members without john fruiscante

  45. It's so heartwarming to see how down to earth they all are. After all the years. Absolute legends

  46. The driver is hooooot. Polar bear ๐Ÿ˜

  47. Anthony๐Ÿค—the TheOne always and forever ๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿค—๐Ÿค—๐Ÿฅฐ๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’– ๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’– so loser and envy people stay away from me and from here you are not welcome

  48. ANTHONY KIEDIS I LOVE YOU FROM i was 11 ๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿ’–๐Ÿค—๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’– ๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ‘ฉ๐Ÿค—๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–forever

  49. I'm so fkin bored of this fat idiot trying to out sing everyone he meets

  50. Best ever love it

  51. Three years later and I still love this video – never fails to make me grin and groove!! <3

  52. Anyone in August here โค๏ธ

  53. Flea is one of those guys who did so many drugs in his early days that he is still a little bit high. Constantly. Or he just still does drugs.

  54. Flea bass karaoke ๐Ÿคฃ

  55. James Corden is the BEST he learn all the lyrics of every guest he had!!! Thatโ€™s awesome ๐Ÿ‘๐Ÿป

  56. That was a waste of time and f**** gay

  57. I didnโ€™t know Will Farrell is a rock star

  58. when you get out and wrestle a muthafucka like youre 12 youre in love with him. thats not gay shit. maybe it is i dont know. but the feelings that you get from a wild person that can spin you up in their whirlwind of crazy is like a drug. you absolutely love the high.

  59. RHCP pertama kali dengar waktu main PS 1 winning eleven dan penasaran mengulik suka sama main gitar, bas dan drum

  60. I hate when people compare John Frusciante to Jesus.

    He's great, but he's no Frusciante.

  61. The coolest carpool karaoke ever. period!

  62. Josh looks like my mum

  63. Why is will farrell in the backseat?

  64. Flea is one best bass players of our time yet looks like a crack addict who just got hooked on meth

  65. Personally, I think it would be better if they sang songs other than their own.

  66. No one:

    Me: ICE AGE ๐Ÿ˜ 1:23

  67. shout out to James being comfortable enough in his body to go shirtless ๐Ÿ’œ thatโ€™s body love right there

  68. Best ever Carpool karaoke

  69. Is that a dolphins hat i spy phins up

  70. Flea was definitely on something

  71. Good god!!! Flea is my bass god!!!He is the reason i play bass guitar

  72. Long life Flea โ™ฅโ˜ฎ

  73. Don't mind me just watching this for the 100th time ๐Ÿ™‚

  74. What is the song after under the bridge?

  75. Well, I'm totally in love with Josh

  76. James the luckiest person !!!

  77. Best carpool karaoke ever!

  78. Still didn't play my two favourite songs.

  79. why dont you do a carpool karaoke with slipknot like wtf

  80. thank you flea very cool

  81. 1:50 to sweet juice ๐Ÿ˜‚๐Ÿค˜

  82. Please James Corden put your shirt back on Tubby ๐Ÿคฎ

  83. There we go with flea being a drug again

Comment here